Aphrodisias: Aphrodisias was a small city in Caria, Asia Minor. It is located near the modern village of Geyre, Turkey, about 230 km from Izmir.
Aphrodisias was named after Aphrodite, the Greek goddess of Love, who had here her unique cult image, the Aphrodite of Aphrodisias. According to the Suda, before being known as Aphrodisias, the city had three previous names: Lelegon Polis, Megale Polis, and Ninoë. The city was later renamed Stauropolis in the Christian era.
The city was built near a marble quarry that was extensively exploited in the Hellenistic and Roman periods, and sculptors in marble from Aphrodisias became famous in the Roman world. Many examples of statuary have been unearthed in Aphrodisias, and some representations of the Aphrodite of Aphrodisias also survive from other parts of the Roman world, as far afield as Portugal.
The Temple of Aphrodite was and still is a focal point of the town, but the character of the building was altered when it became a Christian basilica. The Aphrodisian sculptors became renowned and the school of sculpture was very productive;[4] much of their work can be seen around the site and in the museum. Many full-length statues were discovered in the region of the agora, and trial and unfinished pieces pointing to a true school are in evidence. Sarcophagi were recovered in various locations, most frequently decorated with designs consisting of garland and columns. Pilasters have been, found showing what are described as "peopled scrolls" with figures of people, birds and animals entwined in acanthus leaves. The sculptors benefited from a plentiful supply of marble close at hand.
The cult image that is particular to Aphrodisias, the Aphrodite of Aphrodisias, doubtless once housed in the Temple of Aphrodite, was a distinctive local goddess who became, by interpretatio graeca, identified with the Greek Aphrodite. Her canonical image, typical of Anatolian cult images, shows that she is related to the Lady of Ephesus, widely venerated in the Greco-Roman world as Artemis of Ephesus. The surviving images, from contexts where they must have been more civic than ritual, are without exception from the late phase of the cult, in Hellenistic and Roman times, and are rendered in the naturalistic style common to their culture, which gave the local goddess more universal appeal. Like the Lady of Ephesus, the "Aphrodite" of Aphrodisia wears a thick, form-disguising tunic, encasing her as if in a columnar box, always with four registers of standardized imagery. Her feet are of necessity close together, her forearms stretched forward, to receive and to give. She is adorned with necklaces and wears a mural crown together with a diadem and a wreath of myrtle, draped with a long veil that frames her face and extends to the ground. Beneath her overtunic she wears a floor-length chiton. The bands of decoration on the tunic, rendered in bas-relief, evoke the Goddess's cosmic powers: the Charites, the Three Graces that are the closest attendants of Aphrodite; heads of a married pair (the woman is veiled), identified by Lisa Brody as Gaia and Uranos, Earth and the Heavens, over which this goddess reigns, rather than as Zeus and Hera; Helios and Selene separated by a pillar; the marine Aphrodite, riding a sea-goat, and at the base a group of Erotes performing cult rituals.
Efes (Ephesus):Ephesus was a city of ancient Anatolia. During the period known as Classical Greece it was located in Ionia, where the Cayster River (Küçük Menderes) flows into the Aegean Sea. It belonged to the Ionian League.
Ephesus hosted one of the seven churches of Asia, addressed in the Book of Revelation of The Bible), and the Gospel of John might have been written here. It is also the site of a large gladiator graveyard.
The city was famed for the Temple of Artemis (completed around 550 BC), and both were destroyed by the Goths in 263. The emperor Constantine rebuilt much of the city and erected a new public bath. The town was again partially destroyed by an earthquake in 614. The importance of the city as a commercial centre declined as the harbour slowly filled with silt from the river.
Today's archaeological site lies 3 kilometers south of the Selçuk district of I.zmir Province, Turkey. The ruins of Ephesus are a favorite international and local tourist attraction, partly owing to their easy accessibility from Adnan Menderes Airport and via the port of Kusadasi.
The site is large. In fact, Ephesus contains the largest collection of Roman ruins East of the Mediterranean. Only an estimated 15% has been excavated. The ruins that are visible give some idea of the city's original splendour, and the names associated with the ruins are evocative of its former life. The theater dominates the view down Harbour Street which leads to the long silted-up harbor.
The Library of Celsus, whose façade has been carefully reconstructed from all original pieces, was built ca. AD 125 by Gaius Julius Aquila in memory of his father, and once held nearly 12,000 scrolls. Designed with an exaggerated entrance so as to enhance its perceived size, speculate many historians the building faces east so that the reading rooms could make best use of the morning light.
A part of the site, St. John's Basilica, was built in the 6th century AD, under emperor Justinian I over the supposed site of the apostle's tomb. It is now surrounded by Selçuk.
The Temple of Artemis, one of the Seven Wonders of the Ancient World, is represented only by one inconspicuous column, revealed during an archaeological excavation by the British Museum in the 1870s. Some fragments of the frieze (which are insufficient to suggest the form of the original) and other small finds were removed some to London and some to the Archaeological Museum, Istanbul.
Source: Wikipedia
